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Stazione Ferroviaria di Trofarello Print - Limited Edition of 10

Sergio Cerezer

Brazil

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Photo Paper

Fine Art Paper

Acrylic

Metal

Select a Size

14 x 21 in ($129)

14 x 21 in ($129)

16 x 24 in ($139)

20 x 30 in ($159)

24 x 36 in ($199)

30 x 45 in ($309)

Select a Canvas Wrap

White Canvas

White Canvas

Black Canvas

Add a Frame

White ($150)

White ($150)

Black ($150)

No Frame

$279

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ABOUT THE ARTWORK

- FINE ART PRINTS - Paper prints: Premium Hahnemuhle RAG 308 100% cotton paper - Printed: HP Z9 + DreamColor mineral pigment. - Canvas (direct contact via email): Canson Museum Pro Canvas 385 g/m2 100% cotton - Printed: HP Z9 + DreamColor mineral pigment. - Made in Brazil Perspective is a word with multiple meanings, and may be related to the way in which a given situation or object is analyzed; a point of view about a specific situation; a three-dimensional way of representation or everything that can be seen from afar. Perspective is also what is perceived externally, that is, the appearance or aspect of something when observed with a certain degree of distance; it is the assumption of the appearance of something, observed from a certain angle or point of view.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The commonplace is usually left aside, it is not given due attention. Sounds are ignored, smells are sometimes unpleasant and uncomfortable, and are therefore also ignored. The songs are heard without understanding the poetry or feeling the beat. Thoughts speed up and the days, the minutes, the steps vanish into thin air. The meaning of the routes is lost. The sounds can be deafening, the senses are always heightened, conversations and human contact are latent. The space is covered step by step, often avoiding obstacles, people on the way. Walking blindly is denying what is latent, not realizing that the space is occupied and lives beyond. These are the steps, paths and lives of hundreds of people, including the one who writes these lines. To claim this space, I propose to tell the story of the place that has meaning for them and occupy these spaces, recording them in the time of a photograph.

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