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Canvas
16 x 20 in ($240)
Black Canvas
White ($160)
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I made this piece while watching the ICJ preliminary judgement in the case of South Africa vs Israel. It struck me that an Irish barrister was representing the colonised and an English one representing the coloniser and that Irish barrister Blinne Ní Ghrálaigh was far better at her job on every count. Generational trauma staring generational privilege in the eye and doing so with such eloquence and poise. As I was creating this work for an Imbolc celebration, I was thinking about what Brigid has responsibility for. She is a deity associated with domesticated animals. Her holiday now features once again in our public calendar. I’ve been thinking a lot about how pre-colonial practices inform our post-colonial power structures, including the power we exercise over non-human animals… and what Brehon Law might make of such practices.
2024
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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Ireland
Billy Lingwood is a visual artist based in Cork City, Ireland. Billy's work uses humour and satire to explore subjective impact of post-colonial social, cultural and policy structures on Ireland’s resident lifeforms through the media of printmaking, installation, co-creation & intervention. Having exhibited extensively in solo and group exhibitions in Ireland and abroad, Billy has also developed, curated and directed exhibitions and arts festivals in Cork. A qualified printmaker with a BA (Hons) in Fine Art: Printmaking & Contemporary Practice (2014), recent artistic achievements include: The acceptance of 3 works to this year’s RHA Annual Exhibition Awarded an R&D award through the Artist in the Community Scheme funded by the Arts Council of Ireland, managed by Create Providing a printmaking workshop at St. Peter’s, Cork City, for Cruinniú na n-Óg 2024 www.billylingwood.com
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