View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Collage, Paint on Canvas
Size: 36 W x 48 H x 1.5 D in
Ships in a Crate
Artist featured in a collection
Featured in the Catalog
This piece was created from a self-portrait. The collage consists of paper ephemera such as handwritten letters and envelopes. There is acrylic paint and drawing over the paper collage and the portrait was photo transferred on top. Each of the butterflies has gold, silver or copper leaf. The piece is coated with epoxy resin and finished with a matte varnish for a look similar to encaustic wax. The desire to understand myself more as a creative person has yielded a body of work that represents a precarious artistic and emotional journey into an uncharted chapter of my life. These challenges and insights are expressed through a combination of self-portraits, paper ephemera collage, and familiar universal symbols intended to present the viewer with a multi-dimensional and expansive view of my personal mythology. The basis of my mixed media collages are blue prints, road maps, bus tickets, letters of correspondence and various other items of paper ephemera which invoke the nostalgia of a Midwestern upbringing and the roots of my artistic cultivation. Inspiration is derived from the inherent meaning in these documents as well as the images they are paired with. These vintage sales slips, receipts, invoices, etc. serve as a reminder of the importance of paper as a record of human history, but also the fleetingness of a life reduced to ephemeral moments.
Collage:Paint on Canvas
Size:36 W x 48 H x 1.5 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
Throughout his education Adam Collier Noel worked to combine diverse materials and techniques with various photographic processes. The subject matter incorporated into the artwork is often appropriated from his extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in his acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. “In a day and age when we are constantly being bombarded with immeasurable amounts of new imagery, I have chosen to create new art forms using vintage photographs that have been forgotten, lost or disregarded. This ambiguous, yet familiar collection of snapshots I have assembled traverses universal cultural themes such as nature, science, history and the physical form. My photography-based mixed media artwork relies heavily on the appropriation of these found images and their relationship to the contemporary world through the lens of popular culture.” Employing a combination of technological and traditional processes in his paper-based creations gives Adam Collier Noel the opportunity to reinterpret the original history of the found image through an enhanced narrative. His inspiration is derived from the meaning inherent in the found images, as well as the materials with which he pairs them. Blue prints, letters of correspondence, receipts, book pages, etc. are often layered with the photographs to reﬂect the importance of paper as a transcript of human history and a place where ideas are written and discoveries are documented. Building upon the rich history of the image creates a transcendence of time and a revitalization of the past, “Much of my work is about optics, ways of seeing and the grand tradition of photography. By appropriating and repurposing found images I give them a new life and a new narrative. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.” Recently, Adam Collier Noel traded representational imagery for bold abstraction in a new series of colorful paintings. Using his familiar grid composition, Noel explores formal compositional elements and color theory applications to achieve a rhythmic balance pleasing to the eye. He explains, “The grid has always been a consistent element throughout my artwork. It is a way of bringing order to chaos and organization to disarray.
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