VIEW IN MY ROOM
Alone Collage
South Korea
Collage, Paper on Paper
Size: 25.6 W x 31.6 H x 0.6 D in
Ships in a Box
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Artist featured in a collection
About The Artwork
Everyone wants to be happy. Everyone tries to pursue endless happiness. In life, happiness, love, consideration, waiting, and sadness surround us. The chickens in my work are based on traditional values. It contains values and rituals that are intended to be delivered to modern people. Under the theme of Gilsang, the exhibition will showcase a series of wild flowers, including chickens, our willow pine trees and fields. And as a painter, he works in a traditional way. And both express what they want to describe clearly, not through any analogy or metaphor. Viewers can easily infer the connection between the road and the object expressing repentance through the piece. an animal with always leisurely and graceful freedom. It looks simple, but it is expressed in colorful pent-up colors. Eventually, the work anthropomorphizes human life through chickens. Everyone has the right to be happy. All of the works feature traditional Korean chickens. It is a fact that it is widely described as a cultural heritage and a history of our culture. The light of hanji doubles its strengths to create a stark, schematic space for
Details & Dimensions
Collage:Paper on Paper
Original:One-of-a-kind Artwork
Size:25.6 W x 31.6 H x 0.6 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
The artwork of Eun Jin Suh definitely differentiates from rules of modern art (and artists) that are put in words by Giorgio Agamben’s ‘The Man Without Content’. It is not foreign nor new, while not being abstract, either. It even seems that the artwork’s composition itself was omitted. However, Suh’s art seems relatively normal. So, what is the reason that art that doesn’t keep this characteristic be considered art? This is the point where modern artists ask this critical question. In essence, they are asking about art’s categories of judgement, what it includes and what it does not, and its expression. In all, his work gives the impression of traditional embroidery that was represented by traditional Korean paper, or ‘hanji’. In other words, one could say that his artwork is the combination of materiality that is in ‘hanji’ and the composition in which one would say resembles traditional Korean embroidery. Additionally, these two traits accomplish two things: they form the rules for Suh’s artwork, and it raises questions for modern art.
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Artist featured by Saatchi Art in a collection
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