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Collage, Paper on Canvas
Size: 47.2 W x 47.2 H x 0.8 D in
Ships in a Crate
$3,560
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ABOUT THE ARTWORK
'Compositions in Yellow and Blue 2' June 2018 Collage composition using a fragment of Bert Stern's photo of Marilyn Monroe from the "Last Sitting". This composition is used in a series of portraits of Marilyn, each work shows its unique variation in colour combinations. They are part of the Bill Board series; a collection of large format collage transfers. The worn aspect reflects the look of vintage bill-boards. It is a challenge to produce this painted portrait effect, with this unique technique. The original composition is enlarged, mirrored, printed and transferred to canvas and then finish them with pastels and paint. Each work in this series is an original unique artwork, with specific 'pop art' use of means of reproduction and techniques. Commissions are possible.
DETAILS AND DIMENSIONS
Collage:
Paper on Canvas
Original:
One-of-a-kind Artwork
Size:
47.2 W x 47.2 H x 0.8 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Crate
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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Born in Rotterdam in 1962, Marian Williams lives and works in France. Whilst recycling objects, authentic photos and original illustrations from vintage magazines and books, she creates dynamic, striking analog compositions in paint, collage and assemblage. Her work has been on show in France, England, Italy, Albania, the Netherlands, Serbia and in the USA. The works, influenced by pop art, surrealism and dadaism, show originality and freshness, in which classical art, retro chic, and kitsch are combined in a challenging way. The artist's political engagement for the environment, women's rights, freedom and social justice, are recurring themes. Her story telling is sincere, expressed in various ways, sometimes minimalist, sometimes complex. 'When I was five years old I jumped in a bin at school to save schoolbooks from the 1950's which had been thrown away. Everything about these book was precious to me; the images, the letter type, the torn pages, the colours and the memories. They reflected the history of daily life gone by. They were art to me."
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