View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Inspired by an original vintage photograph of a man doing a handstand on the beach, Equilibrating combines paper collage, a painted target, photographic transfer, gold leaf, and an matte epoxy resin surface. A year and a half ago I moved 1,005 miles from my hometown of Indianapolis to my new South Florida address which, coincidentally, is also 1005. This relocation from the Midwest to Fort Lauderdale is the impetus for an ongoing series of artwork with a personal narrative of selfdiscovery. The subsequent body of work serves as a enigmatic visual diary of artistic development and speaks to the power of transformation through translocation. Uprooting one’s life for a new and unfamiliar destination should be considered one of the great feats of strength in this world. I equate this undertaking with the exertion of a handstand; an acrobatic action that takes courage, determination, balance and at any moment can come crashing down. The piece is a reminder that advancing from point A to point B can be a defining journey full of ‘handstand’ moments in which we attempt daring acts and find either harmony, instability or both.
Collage:Paper on Canvas
Size:54 W x 54 H x 2 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in United States.
Throughout his education Adam Collier Noel worked to combine diverse materials and techniques with various photographic processes. The subject matter incorporated into the artwork is often appropriated from his extensive collection of one-of-a-kind antique daguerreotypes and mid-century snapshots. Each photograph in his acquisition is chosen because of its ability to simultaneously mirror intimate and universal facets of the human experience. “In a day and age when we are constantly being bombarded with immeasurable amounts of new imagery, I have chosen to create new art forms using vintage photographs that have been forgotten, lost or disregarded. This ambiguous, yet familiar collection of snapshots I have assembled traverses universal cultural themes such as nature, science, history and the physical form. My photography-based mixed media artwork relies heavily on the appropriation of these found images and their relationship to the contemporary world through the lens of popular culture.” Employing a combination of technological and traditional processes in his paper-based creations gives Adam Collier Noel the opportunity to reinterpret the original history of the found image through an enhanced narrative. His inspiration is derived from the meaning inherent in the found images, as well as the materials with which he pairs them. Blue prints, letters of correspondence, receipts, book pages, etc. are often layered with the photographs to reﬂect the importance of paper as a transcript of human history and a place where ideas are written and discoveries are documented. Building upon the rich history of the image creates a transcendence of time and a revitalization of the past, “Much of my work is about optics, ways of seeing and the grand tradition of photography. By appropriating and repurposing found images I give them a new life and a new narrative. I have often expressed that I may not necessarily be the photographer of these relics, but through my artistic interpretation I feel I am their curator.” Recently, Adam Collier Noel traded representational imagery for bold abstraction in a new series of colorful paintings. Using his familiar grid composition, Noel explores formal compositional elements and color theory applications to achieve a rhythmic balance pleasing to the eye. He explains, “The grid has always been a consistent element throughout my artwork. It is a way of bringing order to chaos and organization to disarray.
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