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Collage, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 11.8 W x 9.4 H x 0.1 D in
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Esoterika Topia means « inner landscape ». I work with emotions, they guide me to make abstract compositions with upcycled fabric scraps, tied together with various kinds of intuitive stitching. Artpiece from this serie is an invitation to contemplation of your inner feelings, bringing quietness. - This particular artwork is made of cotton draping fabric, thick washed silk satin fabric, silk faille fabric, and various cotton thread, placed on a thick off-white paper. This 16W x 11H cm textile collage is mounted on 30W x 24H cm Hahnmühle cotton paper.
2021
Fabric on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
11.8 W x 9.4 H x 0.1 D in
Not Framed
No
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Working with textile during the past twenty years enabled me to improve the skills I had been taught during my childhood. I have graduated from a fashion design school in Paris, and then worked as a fashion design assistant for a couple of years in womenswear luxury houses. I launched my own high-end costume jewelry label in 2011 after moving to Marseilles, South of France. I both designed and handmade collections based on textile manipulations until 2020. In 2021 I chose to work from now on as a textile artist. My studio is settled in a former Convent, turned into an artists workplace. My work focuses on interiority. We live surrounded by new technologies, and become over-exposed to information. Our urban ways of life give very little space to one’s interiority. What if we just stop, take time, and reconnect to our own emotions? Would artworks help allowing oneself a moment of interiority, and spreading out our imagination? What if cultivating e connection to oneself made it possible to live in better connection with the world? I love textile! I consider it as a vector of transmission, know-how and stories. I see textile as a metaphor of our bonds to other human beings: fragile, ephemeral, yet precious. I explore the infinite potential of my favorite material; and often diverts its techniques. I deviate from the codes of perfection in craftsmanship, in favor of expression. I work from intuition, with very little prior drawing, from emotions and life stories. I hand embroider abstract, subtle wall artworks, from small to large scale, in mineral tones, using simple and natural materials: cotton threads and mostly cotton or linen fabric. The repetition of the slow, meticulous gestures of embroidery leads me into a state close to meditation. I favor abstraction, because it abandons the representation of reality, keeping only the essence and the emotion, freeing the imagination. This process gives birth to artworks that I name “emotional landscapes”. Human relationships are ones of the foundations of my work. This is why I love creating art pieces in relation with someone’s story.
Artist featured by Saatchi Art in a collection
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