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Francisco dressed by Velazquez with lemons Collage

MARITZA PEREZ

United States

Collage, Paper on Paper

Size: 12 W x 15 H x 0.1 D in

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$565

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About The Artwork

One of Spanish painter Diego Velazques was the first artwork to rich the one million price selling for more than double that amount in 1970, the painting of his assistance a Muslim named Juan de Pareja. Velazquez was a celebrity and leading artist in the court of King Philip IV, well known and respected as big celebrities nowadays whos work is to push fashion and lifestyle but while working for the court he was also interested in portraying everyday life and people. In this art piece, I use his portrait of Francisco Pacheco his early teacher, father in law and censor of the Spanish Inquisition. Transgressing times and code I use contemporary fashion to dress him up sleek and elegant as a contemporary supermodel ready for a catwalk. Not being conventional or puritan in his approach to art I think Velasquez would have appreciated this intervention of his good art theoretician but a mediocre former teacher.

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:12 W x 15 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a multimedia Cuban artist working across media, materials, and scales, from small collage to large art installations with painting, sculptures, and photography in between. I grew up in the second oldest part of the city of Havana, three blocks from Havana Bay and the broad seawall stretching for 5 miles along the coast from old Havana to the new Havana (Vedado), Cuba. Outside of Havana, I have lived in many cities and for a while in the countryside. Crafting narratives that exist in the uncanny space between facts and fiction and using old and new materials I make artworks with unpredictable stories that are half revealed. I explore the dynamics of power relations, social constructs, fragmentation, transgressions, and myths. Central to this is the weight of memory shaping the nonlinear continuity of history and geography, people and places. My process is to allow stories to surface, to propose ways in which we mutate perspectives and see with new eyes allowing for the magic of alternative readings to emerge. From unexpected sources, new visions are created and official narratives are re-examined, enhanced, or dismantled. I am attracted to hybridity, the forgotten history, the anonymous image, the found object. Also religious symbol, intuitive gesture, words. During a process of recombining, the unexpected becomes visible in a multiplicity of works which involve research and planning but also allows for preconceived ideas to give way to flux, chance, and non-permanence. The element of time that has passed is evident in the imperfect quality of used or manipulated materials. In others, new materials are used and objects specifically created. My work can be precise, clean, visceral, rustic, minimal or baroque, where imperfection is embraced and flourishes, the mark of life on everything touched that has history and meaning emerges to be a witness. As each work evolves the medium, forms, and materials find their place in a process that always attracts new ideas to be investigated and new bodies of work to be created. DADA, Arte Povera, Cuban Modernism, Russian Avant Guard, African Art, California assemblage, Native American pottery are some of the things that have guided my work. I am inspired by the colors of the tropics, architecture, books, world religions, textiles, nature, travels I have not yet made, the mysteries of life and the sea...always the Sea.

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