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Moucharabieh - A perverted image - Collage

alain clément

France

Collage, Paper on Paper

Size: 8.3 W x 11.6 H x 0.1 D in

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Originally listed for $370

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ABOUT THE ARTWORK

Passionate about surrealism, I liked this frontal representation of a sculpture by Giacometti, inspired by Sade "The cage", in "Cruels objets du Désir" ("Yesterday, read Sade who fascinates me a lot", he wrote to André Breton in 1933). Cut out the outlines of this image strangely evokes the structure of a moucharabieh, these windows typical of the architecture of Arab countries, true works of art in Yemen, which allow ventilation and even more to "see without being seen". It was then enough to slip under the cutout a suggestive photo of Araki, to keep the initial spirit of these cruel objects of desire, and thus to "see, but from the outside, without being seen" .... Warning, please ! The measurements listed are those of the black sheet, an integral part of the collage; the purely graphic element measures: 8.7x4.7 inches.

DETAILS AND DIMENSIONS
Collage:

Paper on Paper

Original:

One-of-a-kind Artwork

Size:

8.3 W x 11.6 H x 0.1 D in

SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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