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"The World Awaits #TimesUp" Collage

Neroli Henderson, Australia

Collage, Digital on Soft (Yarn, Cotton, Fabric)

35.4 W x 35.4 H in

Ready to Hang

This artwork is not for sale.

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Fear of, or caused by sexual assault causes restrictions and confinements in lifestyle and thought. These borders are internalized, held within the model, stitched in text. The #MeToo and #TimesUp movements are exciting bridges, for the first time ever women are being heard and believed. The onus is...

Year Created:

2019

Subject:
Mediums:

Collage, Digital on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

35.4 W x 35.4 H x 0.2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Australia.

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Need more information?

Neroli Henderson

About the Artist

Neroli Henderson

Australia

I'm an Australian artist specialising in textile and art quilt based works. I regularly write for textile art and quilting magazines, run the 'Textile Arts' group on Facebook, am a participating member of the 'Art Quits Around the World blog group who produce a work to a theme every 2 months and my artworks are exhibited internationally. So far in 2014 my Piece 'Plight of the Bumblebee' was selected for the curated 'Living Colour' international exhibition and my quilt 'I+V+III+1' (Stillbirth) made it into the AQC premier exhibition and competition 'Ten'.

I believe that the best textile based works should not only be well designed, beautiful and possess a tactile quality that invites the viewer in, but should also be technically brilliant in their execution.

I quite literally fell into a fine art career after fracturing my back in a fall that left me having to lay down for much of the next few years and voided me from continuing as a full time corporate art director and graphic designer. I began doing palette knife applied oils on canvas as in my limited working time I was able to cover a fair amount of canvas. Since then as extended sitting has become more possible my main body of work has developed into often highly detailed textile and art quilt based work.

Recognition:

  • Artist featured in a collection

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