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Cartoons ( preliminary drawings ) for Xochipilli
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Xochipilli Collage

Robert Forman

United States

Collage, Fabric on Soft (Yarn, Cotton, Fabric)

Size: 18 W x 48 H x 2 D in

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About The Artwork

Xochipilli, The Prince of Flowers, is the Aztec god of flowers, maize, love, games, beauty, song and dance. (Xochi is from the Nahuatl xochitl or 'flower', while pilli means either Prince or child.) He is the husband of Mayahuel and the twin brother of Xochiquetzal. He is also referred to as Macuilxochitl, which means "five flowers". In the mid-1800's, a 16th century Aztec statue of Xochipilli was unearthed on the side of the volcano Popocatapetl near Tlamanalco. The statue is of a single figure seated upon a temple-like base. Both the statue and the base upon which it sits are covered in carvings of sacred and psychoactive flowers including mushrooms (Psilocybe aztecorum), tobacco (Nicotiana tabacum), morning glory (Turbina corymbosa), sinicuichi (Heimia salicifolia), possibly cacahuaxochitl (Quararibea funebris), and one unidentified flower. The figure itself sits crosslegged on the base, head tilted up, eyes open, jaw tensed, with his mouth half open. The statue is currently housed in the Museo Nacional de Antropologia of Mexico. It has been presented by Wasson, Schultes, and Hofmann that Xochipilli represents a figure in the throes of entheogenic ecstasy. The position and expression of the body, in combination with the very clear representations of hallucinogenic plants which are known to have been used in sacred contexts by the Aztec support this interpretation.

Details & Dimensions

Collage:Fabric on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:18 W x 48 H x 2 D in

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The interface between my interior self and the outside world is the uniting concept behind my recent work I began making yarn paintings in 1969 while still in High School. I thought I had invented the technique. In college at The Cooper Union I first kept yarn painting to myself. My professors preferred my drawings to my paintings. My painting professor, Jack Whitten, asked what we did during vacation. I volunteered that I'd spent the vacation working on a project, but it wasn't exactly painting. After visiting my studio Jack told me to stick to yarn and he would consider them paintings. Seeing a yarn painting at a Greenwich Village flea market I discovered that yarn painting was a traditional art form among the Wixarika (Huichol) people of Mexico. In 1992 I received a Fulbright Fellowship to travel to Mexico to meet fellow yarn painters and talk shop. Since my Fulbright I have maintained my relationship with fellow yarn painters both by returning to Mexico regularly and by hosting Wixarika artists in my home. I have also received Artist Fellowships from the National Endowment for the Arts, The Adolph and Esther Gottlieb Foundation, The New Jersey State Council on the Arts (twice) and the Ludwig Vogelstein Foundation.

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