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"LIZANDRA SCREAM" Artwork

→ Steagall-Conde -, Brazil

Digital, Digital on Canvas

27.2 W x 27.2 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$695

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This contemporary essay (with more one other woman almost identical Acrylics on Linen Canvas paintings) consists of an intense Chromatic Palette usually used on Urban Arts. Along with the use of Optical Physics concepts as a visual trick, as well as the feeling of being in the sights of the armed w...

Year Created:

2026

Subject:

Mediums:

Digital, Digital on Canvas

Rarity:

One-of-a-kind Artwork

Size:

27.2 W x 27.2 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Steagall-Conde -

About the Artist

Steagall-Conde -

Brazil

I would love deeply to be able to explain what I create on my canvases but I have never managed to come even close to capturing what it truly is.

I paint Sensations.

It is the Content.

I do not paint Subjects.

Things that are not what the "figures" or "scenes" might suggest at first glance.

It is nothing like what someone might perceive, if they are looking right at it, and even if it appears obvious and recognizable.

I understand that, for the vast majority of people, an Orchid, a Woman or the Chrysler Building would simply be seen, well, as a Flower, a Face and, well, a Façade...

But I did NOT paint a Façade, a Face or a Flower:

I painted Deep Satisfying Memories that hold a profound, abyssal allure for me without any intention of explaining or justifying any of my Artworks.

I paint simply because I must.

I understand that Curators look for striking moments that captivate them, hoping, perhaps, to “consider” my Artwork, well, let’s say, significant.

But the nice people who own my canvases (about 75 of them worldwide) acquired these pieces for the Artworks themselves.

And it brings me great pleasure and huge fulfillments that this is the case.

And they all are VERY SIGNIFICANT Artworks.

I already exist in a deeply personal way for 75 living people, some of them own as many as 14 of my Artworks, surprising me by becoming my Art Collectors.

Currently, I paint for people who are still strangers to me, people who themselves assign meanings to what I offer of myself.

I hope you are one of them, for there are very few of them in the entire world.

BE MY GUEST OF HONOR.

: :

Recognition:

  • Artist featured in a collection

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