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Art Deco Nude - 05-08-22 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 12.2 W x 9.4 H x 0 D in

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$1,785

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About The Artwork

New Materials This Art Deco Nude as theme is not something new, the materials are. The last decade I have been using mostly Bristol paper for my graphite pencil drawings. It has a high resolution and enables me to throw in lots of details, although not always needed. My highly abstracted cubist nudes are put on it because it allows you to create soft tonal gradients. Combined with my mechanical pen this paper is the carrier of an incredible output of hundreds of drawings. Therefor does it carry the bo-dy of my Roundism inventions. Faber-Castell By sheer chance I happened to stumble upon these new graphite pencils, recently offered by Fa-ber-Castell. Pitt Graphite Matt pencils they are called and my colleague Humphrey Brugman gave me some test samples. See what I could do with them. In the beginning I thought them to be funny. They act a bit sticky on Bristol paper I was used to, almost the feel of colored pencils. They didn’t offer me the scratchy feel of regular graphite leads. For some time I left them be and continued to draw the old way. There is only one thing that bothered me though. Bristol and my 0.5 mm pen are a happy marriage but they act like a slow, lethargic yet loving couple. Lots of creative opportunities but the build-up is quite a job. Not that I dislike that. I like a good-ol’ planning and don’t want to rush things.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:12.2 W x 9.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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