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Clingendael - 31-03-23 Drawing

Corné Akkers


Drawing, Graphite on Paper

Size: 8.3 W x 5.8 H x 0.1 D in

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About The Artwork

Raindrops Keep Falling on My Head This graphite pencil drawing ‘Clingendael – 31-03-23’follows up my previous one of Delft. For no particular reason I wanted to draw a bit of nature again. Or is it that I long for nature blossoming in Spring? Whereas in the Po Valley, Italy and Spain people scream for rain we get it here in abundance. It’s raining cats and dogs during March and this everlasting wind. Bleh! Then again, March and April in The Netherlands are famous for their unpredictability. For the time being it’s sketching indoors and therefor I draw from the stack of last year’s photos. Lambs in Clingendael There is this specific spot near the entrance of estate ‘Clingendael’ where they keep some farm animals. Besides horses and cows, sheep can also be found there. I never have been a sucker for depicting little lambs, darling ponies and golden retrievers. The spot that marks this drawing was special though. The picture was from last May and sunshine was creeping through tree leaves. All of a sudden a little lamb was caught by the light, just about to drink from the through. Just a lucky shot with the camera I think which comes in handy on a rainy day like this. The moral of the story is this. A subject can’t be corny enough as long as it is lit in a beautiful way. Not the First Time When I come to think of it, I have done some animals only themes in the past. Homage to a Dying Horse - 02-03-18 (sold), Marlot - 24-09-20 and Clingendael - 25-04-19 are clear examples. The latter depicts a lamb in the same pasture on the other side. I like this one better though. Surely the light is the reason why. It almost oozes out some religious theme. By the way, what do you think? Too corny or do you want some more? Graphite pencil drawing (Sakura 0.5 mm, 4B) on Winsor & Newton Bristol board paper (21 x 14.8 x 0.1 cm – A5 format) Artist: Corné Akkers

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 5.8 H x 0.1 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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