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10
View In My Room
Drawing, Graphite on Paper
Size: 8.3 W x 11.7 H x 0.1 D in
Ships in a Box
99 Views
10
Featured in the Catalog
Artist featured in a collection
De Hofvijver – 20-03-20 A unique situation: everybody all around the world at home and as to me: I got nothing to do except for painting and sketching but hey that is what we artists do all the time. So I do not feel like in a lock-down, even though all dinner parties and drinks with friends are postponed. Now you feel what artists feel! Busy during the daytime with my new Frida Kahlo painting I fill the evenings with drawing. I browsed through my reference pictures and I remember saving this one I took of De Hofvijver (The Court’s Pond) at The Hague. I liked doing an impressionistic one again, keeping a rather rough edge. I put a simple philosophy down for you: Light is life, a virus only survives in the dark. Light is creation and is contrary to all things obscure. Light is life and I hope the luminescence in this one is conducive to the evaporation of the Corona shadow. Graphite pencil drawing (Sakura 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm – A4 format) Artist: Corné Akkers
2020
Graphite on Paper
One-of-a-kind Artwork
8.3 W x 11.7 H x 0.1 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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