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Drawing #1 Drawing

Otto Oscar Hernandez Ruiz

Germany

Drawing, Ink on Paper

Size: 10.6 W x 13.8 H x 0.4 D in

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About The Artwork

The changing landscape My sketchbooks do not make up a smooth, continuous series, as at different times in my career the sketchbook has played different roles. What I enjoyed was the density of the little tomes, the way I could fill each page with detail. My dedication made them precious, and this feeling has never left me. Sketchbooks are and have been a way of keeping my practice going, when I had no other creative outlet. Since the late 90s, sketchbooks have become increasingly important to me. I carry one with me most of the time. My sketchbooks are a rough-hewn poetry and a place where I can discuss ideas with myself. I regularly flick through old sketchbooks and revisit ideas at their very first glimmer. My sketchbook can be an archive of daft notions that later become art. A sketchbook for me is a sacred artefact. The density of thought, the love of art and the sheer number of man-hours in each one load them with huge meaning and memory for me. I know I could never sell them. Curiously, this is one of the reasons sketchbooks have become so vital to me today. Between the covers I feel safe – the drawings need never be seen by anyone but me – and thus I can play. The drawings show how I have understood and reinvented for myself the German landscape. Always with me in all my travels they shape the map of what I’ve seen and how I think. They reflect my presence in this country. A confirmation of that I was there: but that “there“ is not a specific place anymore, it is a collaged fluxus between places. Bringing all of the books together and feeling the weight of all the pages, presents another presence of myself. A subjective mind cartography from Germany, of “my Germany”.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:10.6 W x 13.8 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Otto was born and raised in Havana (CUB). After receiving his diploma in 1999 in Architecture at the University of Havana, he worked in his learned profession until 2002 when he moved to Germany. From 2004 Otto studied fine arts with Prof. Liz Bachhuber at the Bauhaus University Weimar. Otto works within three art mediums: painting, drawing and performance and through this explores the construction and deconstruction of one’s own perception of an environment. His works repeatedly deal with the design of landscape. The large, polychrome images are evocations of different moods through textures and colours and incorporate complex spatial structure and refer to the contemporary current term of landscape painting. Hernández Ruiz’ sketches arise in traversing urban spaces. In rapid ductal he records impressions from train windows or the physiognomy of a square. Volatility, mobility and speed are the terms of his drawings. The “Settings” allow new aesthetic additions and new ways to experience, see and express landscapes. The fragmentary or flaneur-like perception is gaining in contour. In his site-specific performances he articulates on an audio-visual level – always interacting with the audience, music and location. The concepts associated with Latin American accentuates the biographical fusion of two cultures – Cuba and Germany – and combines art with architecture. The diversity of his oeuvre unfolds in the process-like aesthetics, a unit made up of fragments.

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