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Flanders Watch Drawing

Ute Swanepoel

South Africa

Drawing, Charcoal on Paper

Size: 27.6 W x 39.4 H x 0.2 D in

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This artwork is not for sale.
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117 Views
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About The Artwork

Saatchi has a bug in their system that misreads the sale status of uploaded art: Until it is fixed, please note this artwork IS for sale. This work was created over a period of months, driven by impulses to combine elements of ‘frog’ and ‘crown’ and ‘human’. I referred to the expressive strokes of an unknown artist’s depiction of the god ‘Guan Yu’ and to the style in which Kentridge executed his “Bird” series of prints with broad brushstrokes to try to be bolder in my own linework. I only half got it right – which is exactly good as it is because this work is so much about the journey of looking for meaning and style and coming back with handfuls of shiny pebbles to scatter into my own way of expression. The flatness and awkward pose of the man in the foreground is designed to highlight his anonymity and displacement. This artwork was completed in the morning hours of 11 November. Living in South Africa amidst social concerns vastly removed from that of Europe, it was only then that I realised that this painting was based on the epic poem “Flanders Field” (which I only then stumbled across) and was in it’s own way a tribute to fallen soldiers. The painting was therefore completed on Veteran’s day, without me even knowing that such a day of tribute existed. I feel that this painting clearly doesn’t belong to me, but to the soldiers who fought for freedom and for the safety of their families through all the ages. The charcoal, water-colour and ink and pastel drawing/painting is executed on 100% cotton blend fabriano paper. The texture of the paper is dimpled to allow the wetness of water to settle smoothly and gives the charcoal lines added texture. Derwent charcoal and Winton&Newton water-colour paint and ink was used to ensure the richest tones and highest quality work. A layer of UV-protective fixative was sprayed as a final step to seal the charcoal and pastel to the paper. This piece is best viewed while savoring the astringent aroma of a whiskey on the rocks or simply by having a poppy in hand. The work is unframed and has no hanging hardware.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0.2 D in

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I use painting and drawing as tools for telling stories, and I use my story-like images to find a way to create a connection between the viewer’s own inner narratives and to the current environmental issues that are looming over our very existence. It is my stance that humans share a universal language of wonder, humour and curiosity. By allowing myself to engage with this part of myself when I play with art materials, I reach for the wonder in other people. My work becomes a type of spiritual activism in that it draws on attitudes that connects us at our core, rather than focusing on cerebral narratives of power and elitism. I use vestiges of already-existing mythology to allow the familiar stories to guide the more unfamiliar ideas closer into the viewer’s frame of acceptance and embrace. My aim as an artist is to absolutely insist on the relationship we have with nature as alive and I argue for the symbiotic necessity of relationships between non-human and non-human. My artwork is a testament to my clumsy inward fumbling of getting to know my humanness as much part of nature as what any other creature is. With each of my artworks sold, a donation from the selling price is made to an environmental cause, such as Friends Of Free Wildlife http://www.friendsoffreewildlife.co.za/

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