26 Views
0
View In My Room
Drawing, Chalk on Paper
Size: 8.5 W x 11 H x 0.1 D in
Ships in a Box
26 Views
0
Love letter, chalks and pencils on paper, 21,5 x 28 cm / 8,5 x 11,0 in (2022) *Ships not framed. In the abstract landscape works I draw on an intuitive use of forms in order to dissolve the visible and the preconditioned. Therefore I open up new perspectives which first intend to create openness for a new space of viewing. Those catched glimpses of my surroundings become simplified, fragile beings by using reduced forms and contours. Choosing abstraction as tool reveals the non-visible without pushing the rational in the middle of things: „A flower is not just her appearance, it can also be expressed through its smell, or a memory of a gentle touch of the petals between your fingers. Thus, my work displays those subtle layers beyond the visible, e.g. by changing movements during the process like connecting and dissolving elements. It is guided by a feeling of belonging; like the smell of a flower belongs to it without the evidence of seeing the flower itself.“
2022
Chalk on Paper
One-of-a-kind Artwork
8.5 W x 11 H x 0.1 D in
Not Framed
No
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Germany.
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Sabrina Pohl is a German abstract artist, born in Ludwigsburg (1994). She lives and works between Vienna and Stuttgart since 2015. In 2017 she cooperated with Raun LaRose for the Fashion Week in New York that was featured in Highsnobiety among other things. Her artworks are preserved and exhibited in different countries. ____"My work focuses on an intuitive use of forms in order to dissolve the visible and the preconditioned. Therefore I open up new perspectives which first intend to create openness for a new space of viewing. Those catched glimpses of my surroundings become simplified, fragile beings by using reduced forms and contours. In doing so, I deal with the emphasis of space and light. Choosing abstraction as tool reveals the non-visible without pushing the rational in the middle of things: „A flower is not just her appearance, it can also be expressed through its smell, or a memory of a gentle touch of the petals between your fingers. Thus, my work displays those subtle layers beyond the visible, e.g. by changing movements during the process like connecting and dissolving elements. It is guided by a feeling of belonging; like the smell of a flower belongs to it without the evidence of seeing the flower itself.“
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