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Lulu in Space – 11-07-24 Drawing

Corné Akkers

Netherlands

Drawing, Pastel on Paper

Size: 19.7 W x 25.6 H x 0.1 D in

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ABOUT THE ARTWORK

This pastel drawing ‘Lulu – 11-07-24’ depicts new adventurous endeavours celebrity moviestar Louise Brooks is about to undertake. Exit Metropolis! Let me explain how this came to be. Sometimes everything falls into place. Last Saturday I had an interested art collector come over to my studio in Voorburg. He bought my my oil painting Louise Brooks - 26-10-14 for which I am very grateful. Happy to know he appreciates my work and that he’ll take good care of her. It turned out he is an international lawyer too, just like me. We both know Frans van der Dunk who taught space law in Leiden. One thought led to another and I suggested to have Louise Brooks floating in space. After all, because of me Geesje Kwak floats around in space eternally. Pastel drawing on Canson Mi-Teintes (50 x 65 x 0.1 cm) Artist: Corné Akkers

DETAILS AND DIMENSIONS
Drawing:

Pastel on Paper

Original:

One-of-a-kind Artwork

Size:

19.7 W x 25.6 H x 0.1 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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