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Drawing, Graphite on Paper
Size: 5.8 W x 4.1 H x 0.1 D in
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My Own District This graphite pencil drawing ‘Mariahoeve – 03-05-24’ is my next landscape sketch after ‘Den Haag – Nassaulaan – 01-05-24’. This time it’s my own neighborhood, which is the district of The Hague, called ‘Mariahoeve’. Not a real gem or wandering beauty but it’s home at least. Safe, no spectacular or peculiar things going on, varied construction. There are plenty of flats but also single family homes. The exciting part is that it’s not far from the city centre and The Hague Forest. By now you must have guessed already why I didn’t draw it to date. In my art statement to Den Haag – Halstraat – 12-03-15 I mentioned Baudelaire. His cry to artists to portray daily life i cannot answer with regard to the very place where I live. There are simply too many uninteresting buildings. In fact, many districts here in The Netherlands all look the same. A Beautiful Path Nevertheless, doing landscapes again there was this thing gnawed at me. If it were only once to do a drawing of the place I live! After all, there are also trees, little parks and even some canals. Then I remembered a path I walk down sometimes when I go to work in Voorburg. It’s accessible from Het Kleine Loo just before soccer club ‘VUC’. Not many people dwell there, mostly dog walkers. It’s charming though, especially during Spring. Lots of cow parsley popping up. So I walked there yesterday when it was particularly good weather. Also bit of a must really. My bike had a flat tire so I had to go on foot. Therefor I took some pictures of the path. Then I could drawing at Brugman’s waiting for my bike to be repaired. So there it is, a tribute to my own Mariahoeve. Pitt Graphite Matt pencil (Faber-Castell, 14B) drawing on Winsor & Newton paper (10.5 x 14.8 x 0.1 cm) Artist: Corné Akkers
2024
Graphite on Paper
One-of-a-kind Artwork
5.8 W x 4.1 H x 0.1 D in
Not Framed
No
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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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