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Nina – 05-09-23 Drawing

Corné Akkers

Netherlands

Drawing, Pencil on Paper

Size: 8.3 W x 11.1 H x 0.1 D in

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ABOUT THE ARTWORK

This graphite pencil drawing ‘Nina – 05-09-23’ puts me back on track of studying this beautiful and intriguing model. For those who don’t want to miss out, you can visit her profile on deviantart under the name ‘Ninaerotique’. Last August 23rd I made one of her reclining on a bed. However, my last drawing ‘Neo Deco – 29-08-23’ kicked up a lot of dust, I must say. 90% of the criticism was positive but there were others who found the female form almost out of balance. They found her pose, sitting on a very thin chair, too exciting. There were also people who found the left arm particularly missing but I do not concur. I blame those people for a lack of analytical and optical skills. Perhaps to be confused with sheer laziness to look any further than a nose length. Makes it all the more fun for me. Graphite and colored pencils (Faber Castell Pitt Graphite Matt pencil 14B) drawing on Fabriano Ingres paper (21 x 29.7 x 0.1 cm) Artist: Corné Akker

DETAILS AND DIMENSIONS
Drawing:

Pencil on Paper

Original:

One-of-a-kind Artwork

Size:

8.3 W x 11.1 H x 0.1 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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