VIEW IN MY ROOM
Netherlands
Drawing, Graphite on Paper
Size: 11.1 W x 8.3 H x 0 D in
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Beautifully Arranged This graphite pencil drawing ‘Nina – 23-08-23’ already is the third I made of this gorgeous lady. What’s next I asked myself? Whereas last drawing showed her in her metallic beauty I was not sure whether I should do a similar one. I have a bunch of reference pictures, also one on which she reclines on a bed. That one caught my attention even though it showed a lot of soft tones. However, the composition was beautifully arranged and her bodily features seem to underlign just that. I found soft flowing curves but also detected hard linear and edgy structures studying it in more detail. Enough to stimulate my artistic fantasy. Minimalistically Soon I got the proportions right so I had some extra time to ponder over cubist styling. Implementation of solarisational levels also came to mind. You see, due to the backlighting her body seemed to flow over into the negative space. It made the photographic scenery simply too light. Solarization came to my aid and I didn’t even need to apply a hefty tonal play. I didn’t want to loose the styled legs and abdomen too much. Minimalistically I already liked them and I made sure I left some areas open. This way they would communicate with the space around them.
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:11.1 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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