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"Portrait #2" Drawing

→ Stefan Zephyr Teske, Germany

Drawing, Ink on Paper

5.7 W x 8.3 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$524

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The body is my central subject: as sensual experience, erotic narrative, intimate moment. Years of working with fashion, construction and pattern cutting showed me how deeply we are shaped by systems and conventions: the body by measurements and standards, life by templates rarely questioned. Drawi...

Year Created:

2023

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

5.7 W x 8.3 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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Stefan Zephyr Teske

About the Artist

Stefan Zephyr Teske

Germany

STEFAN ZÉPHYR TESKE

Stefan Teske lives and works in Berlin. He studied at the Weißensee Academy of Art Berlin, graduating as a Meisterschüler. Placements with Alexander McQueen and Vivienne Westwood in London shaped his early practice. Today he works as a draughtsman, designer, sculptor and lecturer. His interdisciplinary work has been shown in numerous solo and group exhibitions in Germany and abroad.

Artist Statement

The body is my central subject: as a sensual event, an erotic narrative, an intimate moment.
Years of working with fashion, construction and pattern cutting have shown me how strongly people are defined by systems and conventions: the body by measurements and norms, life by templates that are rarely questioned. Drawing is my counterpoint, a space where only the gaze, the naked body, the posture and a single moment matter.

I am an observer of people. On the subway, in the street, in cafés, I watch. Drawing gives me something precious: a legitimate reason to look longer. Deeper. More closely. In the studio, in front of a live model, I am allowed to see what otherwise remains hidden: how a body occupies space. Vulnerability. Dignity. Eroticism. Liberation. In doing so, I move between two poles: voyeur and exhibitionist. I observe while at the same time revealing something of myself: my perception, my fascination, an erotic attention towards what is in front of me.

My drawings emerge from a visual world beyond gloss and academic perfection, a world in which the grotesque is beautiful, the unfinished honest, the sensual present. Bodies with weight, with character, with what they have lived through. I celebrate bodies in their diversity, with structure, imperfection and an aesthetic that always remains bound to the moment.

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