VIEW IN MY ROOM
Last One This Year This graphite pencil drawing ‘Roundism – 30-12-22’ is the last one of this year. After Neo Deco – 25-12-22 I wanted to end this year in the style that brought me success the last decade. One could also argue that I just don’t know where this particular style is heading for anyway. Surely I have this other thing, called ‘Neo Deco’ but I am not sure yet where this is going. Recently I wrote about my uncertainties with regard of serving something old as a new style. That is how it feels like, sort of. Maybe it’s just that I am trying to forge something out of dusty air of a bygone era. It’s definitely a topic I want to delve much deeper into in 2023. For now I named all things round ‘roundism’ and cubistically straight things ‘neo deco’. A pretty daft distinction perhaps. What do you think? Golden Ratio The motif for this actual work was derived from a reference picture taken by Walter Bird. The last one I used one of his photos for was Art Deco Nude – 23-08-22. Even though the style of photographing is typically art deco I think his work stands out compared to many others. Not only did he use heavy doses of light and dark but also cropped nudes within the frame nicely. The result is a perfect bodyscape image. Due to the striking roundness of the breasts and tilted body position I thought drawing roundish shapes were almost unavoidable. I spotted some nice curves I extrapolated outside the female form. The ones besides her hip culminated into the golden ratio curves. A suitable ending for this year. The ending and the beginning of something entwined, as it should be. So is my search for the eternal and essential in the temporary. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers
Drawing:Graphite on Paper
Size:8.3 W x 11.7 H x 0 D in
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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