




Drawing, Pastel on Paper
8.3 W x 11.7 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Drawing: Pastel, Pencil, Marker, Ink on Paper. A surrealistic take on nature, portraying an anomaly of a crow covered in pink feathers. The vividness of the colour palette contrasts with the dark character of a lone bird. The symbiosis of bright shades of popart and sharp detail of the Edgar Allan ...
Year Created:
2020
Subject:
Mediums:
Drawing, Pastel on Paper
Rarity:
One-of-a-kind Artwork
Size:
8.3 W x 11.7 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Need more information?
Contact us.I have spent the last decade painting traditionally with oil paints, studying art and writing. I live in the gorgeous cosmopolitan city of London.
Ever since I was a child, art has been one of the greatest ways to express myself. When I was three, my best friends were tiny sculptures that I would mould out of play dough. Later they were replaced by figures on paper. And upon finding canvases and oil paints, I felt I had finally found myself as an artist.
The current direction of my art is painting surrealistic compositions and portraits in oil. My paintings blend reality with dreams, illogical, unnerving scenes with everyday objects, fear and pain with soft, welcoming faces. The paintings absorb the idea of madness and attempt to analyse the unconscious mind.
In addition to my subconscious I am also strongly influenced by literature. I admire such authors as Erich Maria Remarque, Albert Camus, Hermann Hesse, Stephen King, John Connolly, Ian Rankin, Stephen Leather, James Patterson amongst many others. This is the reason why I can call myself an illustrator as well as a painter.
I believe art has to affect the audience. If life is full of beauty, love, horror and pain, why should art be any different?
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