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Venus Lamenting – 13-01-23 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 8.3 W x 11.7 H x 0 D in

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$760USD

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16 Views
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About The Artwork

Just Another Artistic Motif This graphite pencil drawing ‘Venus Lamenting – 13-01-23’ is a special one. It is an indictment of prudishness. My second to last one ‘Roundism – 30-12-22’ apparently shook up a bunch of people. Comments varied from great to ‘yet another tit pic’. There also were prudes from various countries who scorned me for the subject nudity anyway. Throughout the years I became used to these reactions somehow. I also take into account the fact people from each and any nation are present on social media nowadays. With this variety comes a whole set of different opinions and views of life. I cherish them all. That is, as long as they cherish my opinion back. If they don’t, then this art statement is for all those who lack the word reciprocity in their dictionary. Climbing the Barricades Personally I think the nude can be as much an artistic motif as any other. In fact I don’t complain in the least about a world of other motifs. One could like to depict golden retrievers, red roses and other darling, save and sound themes. I see them on a daily basis on Instagram and Facebook among others. I probably wouldn’t have made a big fuss because of contempt shown in the past. That’s what an artist is all about. I even like to provoke with my nudes a bit. A bit of sexiness but not too much. Just to be able to deny the presence of too much of it by underligning artistic aspects as well. Hmm, a bit of risque here an there. I love it! Why climb the barricades once again? Here’s why. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 11.7 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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