VIEW IN MY ROOM
Kazakhstan
Installation, Paper on Paper
Size: 20 W x 79 H x 0.1 D in
Wallpaper, print, size varies. It is placed on the wall or on the floor in excess: so that a wave fold is formed. The wallpaper pattern consists of a schematic image of a man and a woman on a catamaran, typical wallpaper patterns and a graphic representation of the whiteouts of the icon of God Pantocrator. "If you put a dead person on a catamaran, securing his legs to the pedals, and installing a motor that will rotate the pedals, and start him floating in the sea, then an observer on the shore will be completely confident that the person riding on the catamaran is alive. (possibly from Slavoj Zizek)."
Installation:Paper on Paper
Original:One-of-a-kind Artwork
Size:20 W x 79 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Kazakhstan
Artist, researcher, art critic, feminist. Now living in Almaty, Kazakhstan. Born in 1987 in Arkhangelsk, Russia. Graduated from the Faculty of Philosophy of Novosibirsk State University, Master of Philosophy. In 2020-2024 was a postgraduate student at the Novosibirsk State University of Architecture, Design and Arts in History of Art. From 2010 to 2013 curated the exhibition project in the Festival of Experimental Poetry EXPERIENCES in Novosibirsk. Since 2015, have been a member of the Rech#port poetry community, author and editor of the magazine Rech#port (syg.ma/rechport). In 2018 initiated the creation of the Siberian Archive of Contemporary Art (siberian-archive.ru) and have been researching contemporary art of Siberia. Participant of philosophical seminars on contemporary philosophy (Deleuze, Derrida, Badiou, Delanda, etc.), in 2022 gave a course of lectures "Introduction to the Philosophy of Art" (Novosibirsk State University, Faculty of Humanities, Novosibirsk, Russia). As an artist I create complex installations, art objects, poetic and textual works, art books, video art and performances elaborating such themes as: religious concepts outside the context of the religious canon (miracle, martyrdom), liberation practices, anarchic virtual communities and spaces, criticism of Russian political reality, institutional criticism and research into the boundaries of Russian censorship, the creation of a Kafkaesque non-existent people and a choir of dubious voices, the study of the human body as the boundaries of the individual and public.
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