VIEW IN MY ROOM
"Complex,Fluxes" Installation
France
Installation, glass on Other
Size: 15.7 W x 23.6 H x 0.4 D in
Ships in a Box
About The Artwork
PrevNext Art Installation By Mo Maria At : http://www.vkvfordkultur.org.tr/ Art Installation that features 4 different excerpts from my poem “VIEW OF PAVED LAND” translated into 4 languages : English , Ukranian , Arabic , Turkish . “VIEW OF PAVED LAND” which is a word’s work in progress that participated in MAKHZIN N01 New Literary Magazine , Makhzin stems from 98weeks’ research On Publications Also see this link : https://ashesspaces.wordpress.com/view-of-paved-land/ Also Participated in Inchiostro e Pietra – Ink and Stone – حبر وحجر – Literary Magazine pages 11 , 36 , 37 : www.issuu.com/arnelsx/docs/ink9c?e=1274747/3396254 see also : http://www.inchiostroepietra.org/author/maria/ This work started during temporary in-habitation of space and art residency at La Generale En Manufacture Sevres-France end of 2010 , questioning the notion of lodging/non-lodging , i think when talking on ‘territoriality’ what is meant are words in process , it is one mode or functionality of creating space , i think this space some times is tangent and itself transcribed somewhere in line … ‘ Territoriality is a term associated with nonverbal communication that refers to how people use space to communicate ownership/occupancy of areas and possessions (…) Territoriality can also be associated with states or nations. Government and social ideas are also associated with Territoriality. A nation state can establish common ideals amongst its citizens which lead to territoriality. Nationalism is an example of this. National pride, common religious practices, and politics all play a role in a state’s territoriality (…) ‘ Wikipedia . Words that i consider they are born out of a contextual complex , fluxes of imagery that involve the notions of ‘territory’ and ‘border’… and can be tangent on site to other languages …
Details & Dimensions
Installation:glass on Other
Original:One-of-a-kind Artwork
Size:15.7 W x 23.6 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Lebanon.
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France
For Any Information Please Don't Hesitate To Contact Us : ashesspaces@gmail.com https://www.zealous.co/momariasarkis/portfolio/ Artist Statement: Mo Maria Sarkis started her journey as an artist in 2004, initially using painting as her medium. She continued work on painting in various exhibitions in Lebanon. After a few years, she took up different artistic residencies in France and Turkey that prompted her to use mediums other than painting. During her time in these countries, Mo Maria began to investigate the power of languages and dialogue as well as the concept of immortality. Her last residency in Paris in 2010 allowed her to explore the codependency of humans and machines during a rush hour at the Paris Metro (Recording Movement1). In 2011, she returned to Lebanon to later took part in a 2013-2014 program in which Ashkal-Alwan hosted foreign artists for their residency. Now her practice has evolved to using a multi-media approach involving installations, video, and photography. Mo Maria currently inquires into the extension of linguistics that has moved beyond humans to the communication used by various forms of machinery. Mo Maria hopes to continue to explore the language of machinery and its place in the modern world. She wants to question the political and aesthetic divide of public and private places. Mo Maria’s current work is an evolution of how her work on surrealist paintings were later influenced by the Dada movement to became spatial public installations that address the place and identity of humans and machinery in the modern world. Her current work, which reflects on writing from the French anthropologist Michel Foucault about public spaces, questions the role of machines, remote settlements, and linguistics. Mo Maria encourages the collaboration between fields such as Art and Architecture, Art and science, Art and new technologies …
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