VIEW IN MY ROOM
United Kingdom
Installation, Found Objects on Other
Size: 12 W x 13 H x 12 D in
Since moving to Hong Kong, Sharyn Wortman has found herself in a deeper discourse about cultural identity and the effects of Colonialism. Her point of departure for this series is an experience she had growing up with her Dutch father in Australia. During their weekend breakfast routine, her father invented a game for his children. The game involved a small wooden coffee grinder. “I didn't think about it back then, it was only a game, but my father was very clever in getting someone else to grind his morning coffee.” In this latest series of work Wortman has taken vintage coffee grinders and re-contextualized them. These readymade sculptures relate to a specific period in Indonesia when the Dutch East India Company introduced a cultivation program, Cultuurestelsel (1830-1870). During this time indigenous farmers were forced to grow cash crops such as coffee instead of rice. This system was open to abuse and eventually lead to widespread food shortages and famine. In her piece titled Cultuurestelsel (2019), Indonesian, Ikat style figures disintegrate before our eyes. By making the audience complicit in the activation of her artwork Wortman hopes to engage the audience in a dialogue regarding the social issues that arise from these hegemonic episodes in history and question how it echoes through to our lives today.
Installation:Found Objects on Other
Original:One-of-a-kind Artwork
Size:12 W x 13 H x 12 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
Sharyn Wortman (b. Melbourne, Australia) is an artist based in London. She received a Bachelor of Visual Communication (Hons) from RMIT in Melbourne, Australia, a further Bachelor of Fine Art (Hons) from the Hong Kong School of Art and a Master of Arts at the Royal College of Art, London. Wortman is a fellow of the Royal Society of the Arts in London and a Yeoman of The Worshipful Company of Tin Plate Workers alias Wire Workers of the City of London. She was a finalist in the Hong Kong Human Rights Art Prize (2020) and was named by the Observer as one of The Future 500 Rising Stars. She has exhibited her work in London, Hong Kong and Australia.
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