VIEW IN MY ROOM
Netherlands
Installation, Mosaic on Other
Size: 36 W x 28 H x 0.3 D in
An amalgam of various Artworks rather than a tightly cohesive movement in the museum hall. The idea took variable forms, such as installation, video Art, performances, happenings, and consequences. It is important to understand that this Concept in a succession of avant-garde movements, analyzing in self-consciously expanding the boundaries of the diaspora. The idea of this project is furthermore attempting to create art that is about art and pushed its borders, to find an identity for this migrant artist in the museum, at the term that you will give the museum to me in, which is the whole May of 2018. Art in my conception generally does not claim the truth or its formulation, and not to what extent it may be compatible with it. The truth has to acquire us gradually. This project is an attempt to make human dimensions manifest, an attempt to create new morals and new ladders, and it is also a window to throw people toward other people. the concept of (Dispersion) or (Falling into nothingness) may also be a study of what a person is suffering from the dispersion, war, or constraint. This is a huge human concept, the In-depth research into it is permanent, and it is related to the general message that I am trying to put forward in a self-work. The concept | Falling into Nothingness | is about those moments in a person’s life when the world you know is falling to pieces, when the usual rules no longer apply, when everything familiar to you crumbles. Here we ask the audience the question: how does it feel? How will you deal with it? How will you give it a shape? It’s an experience with which every person is familiar. I believe that if I began this succession of this conceptual artwork, the museum and the audience in some way will complete it as 'institutional critique,', Pointedly expressing cultural values of society at large. I find that these issues must be brought up by art in every museum, gallery or exhibition place, whose purpose is to transfer humanity to a greater stage, which is done through the efforts of an association between the crowds and the art. Work summary As Artist are scattered in dispersion across the world, where they will give their lives new shapes in a variety of languages and customs, I have chosen to present this concept as well in a dispersion, using a variety of art forms to give a shape to an emotion we are all familiar with, which we all struggle with. I have invited Syrians from all over the world, artists who live in Damascus, but also in Germany and the Netherlands to give a shape to this feeling of alienation. Because from now on we will speak of this common feeling in different languages, alienating us from each other even. We as artists want to instigate a question in the mind of the audience by offering visitors a window into the lives of others: How would you feel about everything reaches you here? Every member of the audience will have to answer it by themselves. We cannot answer this for them. The concept will be presented in a series of happenings: - Overthrow the Mosaic - What's left of lost series - Settler
Original Created:2018
Subjects:Performing Arts
Installation:Mosaic on Other
Original:One-of-a-kind Artwork
Size:36 W x 28 H x 0.3 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Netherlands
Nasam Abboud is an artist and curator from Syria based in the Netherlands. Through a discursive and open-ended approach among an interdisciplinary practice, visual, performance, text and digital art, Nasam endeavours to let concepts and bodies express themselves in the space. Her work focuses on the political power of art and its transformative role in revealing the infrastructure of the brutality, exclusion and alienation of cultures in diverse societies.
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