VIEW IN MY ROOM
United States
Installation, Ceramic on Ceramic
Size: 6.5 W x 13 H x 8.5 D in
The last uncanny piece finished for Revival series is based on my observations & experiences of oppressive formative beliefs; i.e. models and concepts of reality we are indoctrinated the moment our eyes see the light of this world, independent of our geography. Fears, hopes, traditions, rituals, enemies, friends, societal norms, expectations and everything else, one by one is being passed on with a good conscience to the next in line, largely at the expense of abandoned self, which regretfully we are not aware for quite a long time. If one is ‘lucky’, a day arrives where the incomprehensible happens, and person’s fragile world is in crumbles. It might also happen in successive variations, until we acknowledge destructive patterns. Everything we knew becomes a surreal storyline, a made up narrative of unknown origins that never meant to benefit one’s well-being; where person’s choices are predetermined & their reluctant sacrifice sustains a system which does not value their essence nor their presence. One starts to question the nature of reality. A quest for clarity becomes a crucial next step, because the understanding of what and who one was, and everything familiar appears to be only a narrow bandwidth of possible alternatives. This moment is shocking, traumatizing, life altering and it can unfold into constructive or destructive path. When we loose coherence and connection with our own reality so called ‘normality’ seems strange, repulsive, draining & simply wrong. After the initial shock, one finds themselves in a limbo of unknowns, a place where they are left to face fears, discomfort, unfathomable pain and recurring grief, often alone. And one day, out of the blue, something elusive starts calling from within. We must be in silence to hear it. It creates a thirst for a new perspective, where hope emerges; a small whisper starts guiding us to a new realm. At this point, we better gather the strength and dare to start over by following clues which eventually lead towards true-self and its effortless freedom. Keep going. At whatever point we might find ourselves aware, the main thing is to remember our presence – however small it might feel – leaves ripples on this reality. For that reason, we must make time to reconstruct and heal, so our newly found relief proceeds to update the pernicious patterns in the fabric of our collective consciousness. My hope for all of us is to find the strength to go as far as possible, from where our true-self patiently beckoning us over. Refuse to dial down wildness of your essence, and do not succumb to negs of the past, present, or imagined future as it’s our default loops. Move beyond the generic script, create your own narrative, and understand the possibilities of your distinctive design. All of this easier said than done, nevertheless it is possible with time & intention. Take it easy.
Original Created:2021
Subjects:Portrait
Styles:ConceptualPortraiture
Mediums:CeramicGlassWirePaintWax Polish
Installation:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:6.5 W x 13 H x 8.5 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United States
GÜLNAR BABAYEVA is a figurative sculptor & designer at @caspianmuse studio. Originally from Azerbaijan, she moved to New York’s Hudson Valley in 2010 to study art & design thanks to the generosity of a local American family. She graduated with double associate degrees in Fine Arts and Advertising Design & Graphic Technology in 2012 from SUNY Ulster, and was awarded the State University of New York Chancellor’s Award for Student Excellence in the same year. Babayeva holds a Bachelor of Arts degree in American Studies from Azerbaijan University of Languages. She has been sculpting since 2012, and began focusing on her sculptor identity during the pandemic, which led to Babayeva’s debut solo exhibition of sculpture R e v i v a l at the Arts Society of Kingston in June 2021. Her sculptures have been shown in group and juried exhibitions locally + virtually, and have been acquired for private collections. Babayeva’s love for figurative art propels her mission to make figurative sculpture visible and adequately represented in local galleries & art venues by inspiring a new interest in figurative sculpting and making it accessible to the art community & public, while pursuing its inclusion and advancement in educational art organizations. Recently, Babayeva has been awarded 2022 NYSCA Individual Artist Grant to cultivate figurative sculpture locally, within the Hudson Valley.
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