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Greece
Installation, Found Objects on Wood
Size: 41.3 W x 51.2 H x 27.6 D in
Ships in a Crate
Quintessence (fifth+essence): highest and fifth element after earth, fire, water and air, according to ancient and madieval philoshophy· aether. Based on the ancient greek phyloshophy (Αἰθήρ) aether is the material that fills the region of the universe above the terrestrial sphere. In this project i imply the sinking of a body in water, as essential, as predominant, as something that gives an extremely nice feeling. Moreover the porpose of taking a bath is the clearness or the treatment of dermal or any other illness. This process looks like a luxury, but in reality is an important need. Nonetheless it is not essential for survival.
Original Created:2016
Subjects:People
Styles:ConceptualFine Art
Mediums:Found ObjectsCharcoalSpray Paint
Installation:Found Objects on Wood
Original:One-of-a-kind Artwork
Size:41.3 W x 51.2 H x 27.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Greece.
Customs:Shipments from Greece may experience delays due to country's regulations for exporting valuable artworks.
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Greece
Chara Kerasta was born in 1994 and grow up in Levadeia, Greece. Today, she lives and works in Athens. She is a graduate of Fine Arts and Art Science department at the Ioannina school of Fine Arts(2012- 2017). She continued her studies in the Master of Fine Art (MFA) at Athens School of Fine Arts (2017- 2019). In July 2019 she presented her thesis with title T-Here. In 2015 she gained the first prize in monthly photo contest conducted by "Photonet" magazine on human portrait. A year later, she interned at Artwork Production by side of the photographer and visual artist Konstantinos Ignatiadis. From 2015 onwards, she has participated in exhibitions and workshops in Thessaloniki, Ioannina, Andros and Athens. In her work, she uses the Uncanny or the (un)heimlich as Freud introduced for the (un)known and (un)familiar, to set a map for return at home, at self. Her practices include the repeated visit of places where she lived and she comes into conflict with them to create a new intimacy, and finally a new place/ without place.
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