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I grew up in Iran, a cultural plethora of ornaments and patterns. As a child, I had always been engaged with patterns in mostly all places, mosques, historical buildings, in the streets and even in our small house where I saw them on the carpets. I reckon the best way to embrace the sophisticated Persian culture with all its complexities is by looking at the interplay of a set of classic patterns. To me, ceramics, as my dominant material, and textiles are very nostalgic, thus I decided to apply them in my work because they are a physical sensation of my cultural ground. Besides, soil is a boundless natural matter found in everywhere and my forms are raised from the soil to challenge the relationship between identities within a global context.
I grew up in Iran, a cultural plethora of ornaments and patterns. As a child, I had always been engaged with patterns in mostly all places, mosques, historical buildings, in the streets and even in our small house where I saw them on the carpets. I reckon the best way to embrace the sophisticated Persian culture with all its complexities is by looking at the interplay of a set of classic patterns. To me, ceramics, as my dominant material, and textiles are very nostalgic, thus I decided to apply them in my work because they are a physical sensation of my cultural ground. Besides, soil is a boundless natural matter found in everywhere and my forms are raised from the soil to challenge the relationship between identities within a global context.
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Reincarnation

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Reincarnation Installation

Elham Hajesmaeili

United States

Installation, Ceramic on Ceramic

Size: 60 W x 4 H x 60 D in

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About The Artwork

I grew up in Iran, a cultural plethora of ornaments and patterns. As a child, I had always been engaged with patterns in mostly all places, mosques, historical buildings, in the streets and even in our small house where I saw them on the carpets. I reckon the best way to embrace the sophisticated Persian culture with all its complexities is by looking at the interplay of a set of classic patterns. To me, ceramics, as my dominant material, and textiles are very nostalgic, thus I decided to apply them in my work because they are a physical sensation of my cultural ground. Besides, soil is a boundless natural matter found in everywhere and my forms are raised from the soil to challenge the relationship between identities within a global context.

Details & Dimensions

Installation:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:60 W x 4 H x 60 D in

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