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Thousand and one visages - Auschwitz 1942-44 Installation

Barbara Cousin

Germany

Installation, aceton hand print on Paper

Size: 236.2 W x 141.7 H x 0 D in

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About The Artwork

A short film (production: E. Landesmann, S. Parysow, 2019) presenting the installation can be seen on https://vimeo.com/378817328 Across several meters, A thousand and one visages gives us to see the faces of a thousand and one people among the 1 100 000 Auschwitz exterminated victims between 1940 and 1945. Taken from photographs shot before the victims were deported, those were manually printed with acetone on a thousand and one silk pieces of paper. Those portraits are the ones of men and women, who could be our own parents, grand-parents and children, that all look like our own; faces that remind us of a relative or a friend. Although these are a very small part of the victims and their lives, these portraits allow access to a gross historical data, who relates to a conscious process of dehumanisation. This installation received a grant from the Fondation Auschwitz - ASBL Mémoire d'Auschwitz (2018-2020). Thousand and one visages - Auschwitz 1942-44, 1001 handprints with aceton, 2019 (Archives générales du Royaume de Belgique. Dossiers individuels d'étrangers) - (credit: E. Landesmann)

Details & Dimensions

Installation:aceton hand print on Paper

Original:One-of-a-kind Artwork

Size:236.2 W x 141.7 H x 0 D in

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Barbara Cousin is French. She has lived and worked in Berlin since 2014. She works on the theme of individual and collective memory, with our relationship to time, history and forgetting. She was awarded, among others, for her installation "306 000 crosses" in commemoration of WW1 (2016) and recieved a research grant from the Foundation Auschwitz - ASBL Mémoire d'Auschwitz for her project "Thousand and one visages" (2018-2020). Her projects are exhibited in France and Germany (Galerie im Saalbau and Stiftung Genshagen in Berlin, Grand Palais in Paris, Kunstbiennale in Cachan). From 2015 to 2020, she has led numerous art workshops with over 500 children and young people. She also develops participative projects with different generations such as "Memory Map" (2015) or "The Artme Collection" (2016) in Berlin or "Heritage stories" in Annecy (Fr.) (2017). In the 2018-2019 school year, she participated in the "Max - Artists in Residence at Primary Schools" programme at Foundation Brandenburg Gate. There she developed a library of childhood memories with the pupils and their parents. www.barbaracousin.com

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