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View In My Room
Mixed Media, Photography on Acrylic
Size: 17 W x 20 H x 0.5 D in
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12 Views
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Collages allow for me to have a pictorial space that more accurately resembles the way I experience my subject, in this case, land. When I am in the land, I not only look at the scene before me, but also the individual trees, the colors and textures of the leaves and bark. From moment to moment I am observing individual textures, shapes & colors. My recollection of the experience is a mixture of vignettes: textural details, colors and shapes. Within the composition of a Collage I’m allowed to isolate and juxtapose those elements within the larger composition to create something that feels like a more accurate account of the experience. Micro and macro simultaneously. My collage works are assembled in layers, pieces of paper on top of eachother. Often when working in collage one has to “overlap” or “cover” something up in the existing composition order to attach it to the existing substrate. Collage is already offering multiple views at once, but I find this act of losing information through adding content troubling sometimes. I want what I am adding and what exists to be there simultaneously… and that is not possible.
2024
Photography on Acrylic
One-of-a-kind Artwork
17 W x 20 H x 0.5 D in
Not Framed
No
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(born 1974) is an American contemporary artist and teacher who lives and works outside of Minneapolis, Minnesota. His work has been featured in The Nature of Nature at the Minneapolis Institute of Arts (2014-2015), Badlands: New Horizons in Landscape at MASS MoCA (2008-2009), Otherworldly at the Museum of Arts and Design in New York (2011), Small Worlds at the Toledo Museum of Art in Ohio (2011), and was presented as a solo exhibitionNature Out There, at the Nevada Museum of Art (2012). Euclide’s work has been reviewed and featured in publications such as: Art News, Sculpture Magazine, Art Ltd Magazine, Hi Fructose Magazine and Juxtapoz Magazine. His work is also featured on the 2012 Grammy Award winning album covers of the musical group Bon Iver and on the cover of McSweeney’s Quarterly Concern #43. Euclide was awarded three Minnesota State Arts Board Artist Initiative Grants through the National Endowment for the Arts, and a Jerome Foundation Residency through the Blacklock Nature Sanctuary. In addition, he was a recipient of the 2011-12 Jerome Foundation Fellowship for Emerging Artists and the 2015-2016 Mcknight Fellowship for Visual Artists. Euclide received his MFA from the Minneapolis College of Art and Design.
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