VIEW IN MY ROOM
United Kingdom
Mixed Media, New Media on Cardboard
Size: 11.8 W x 15.7 H x 0.4 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
"Head" is the first work from the "Flover" set. It is a skull depiction made of dried petals. The material, petals from flowers gifted with love, dictated the topic of the series. "Head" is the first work from the "Flover" set. It is a skull depiction made of dried petals. The material, petals from flowers gifted with love, dictated the topic of the series. “Flover" is a series of works about love, where it comes from, and how it manifests itself. "Head" symbolizes an analytical part of love, or rather, its absence. Through the work, I want to emphasize that love is about feelings, not about logic. Therefore, the head is presented in the form of a skull, there is no logic and analytics applicable in terms of love. This work is done in oshibana technique, used petals were not colored or trimmed. Each petal is used as it was dried. The volume effect is achieved by arranging petals of a certain size, shape, and color in the desired sequence, taking into account the use of natural gradients to obtain the desired image
Mixed Media:New Media on Cardboard
Original:One-of-a-kind Artwork
Size:11.8 W x 15.7 H x 0.4 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.
Artist featured by Saatchi Art in a collection
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