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Mixed Media, Acrylic on Paper
Size: 24 W x 31.5 H x 0.1 D in
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315 Views
11
Featured in the Catalog
Artist featured in a collection
Iya means mother in Yoruba language. The Yoruba or Nagô are one of the largest ethnic-linguistic groups in West Africa. It is the second largest ethnic group in Nigeria. In Brazil, a country with 54% of the black population (majority), the Yoruba were one of the main sources of slaves for the country during the colonial period, with religious, musical and culinary influences. The syncretism of the African cult brought by the slaves with Catholicism originated the Candomblé practiced in Brazil, also known as Nagô culture. The orixás are phenomena of nature that help men to achieve their goals. Xangô, for example, is the orixá of justice, represented by lightning and thunder. The Yoruba also marked their influence on Brazilian cuisine, with acarajé, for example, in music, with atabaques, and in language, with words like "axé" and "olodum". The intention of this series of paintings is to celebrate the African roots brought by the slaves who constitute, nowadays, the greatest cultural wealth in Brazil - despite historical denials and structural racism. - Hahnemühle Photo Rag 308 gsm - Certificate of Authenticicty hand sign in back
Acrylic on Paper
One-of-a-kind Artwork
24 W x 31.5 H x 0.1 D in
Not Framed
Not applicable
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Brazil
Identity, borders and crossings portrayed through human figures - especially in female representations - are structural points in Luciano Cian's research. An imagery construction that dialogues with his personal experience of origin - and the lack of a sense of belonging. Throughout an almost nomadic childhood, the Brazilian artist experienced different landscapes, peoples and cultures. Most of his family left the triple border between Brazil, Paraguay and Bolivia, leaving Mato Grosso do Sul state and heading to the interior of São Paulo. From there, Luciano Cian lived in several Brazilian cities and regions until he settled in Rio de Janeiro. From these multiple experiences, the artist invites us to think about the idea of belonging, mixing signs from Latin American cultures with contemporary graphic elements. His work develops different visualities of the creative force, regardless of a defined border, since all our ancestry at a given point is collective. Luciano Cian's figures talk about the importance of dialogue, the confluence of origins and their customs, with an inclusive look, proposing a form of connection and bridge between the continent's diverse manifestations - bringing influences from African culture: due to the migration of slaves during the long period in which the transatlantic slave market lasted. In drawing, linocut, acrylic or oil on canvas/wood, his characters encompass different ethnic groups, with empowerment and gestural power. The highlighted line of the drawings incorporates a simple color palette, with great contrasts. Visual elements, textures, and patterns that range from indigenous ornaments to modernist elements reinforce the figure. Luciano Cian was born in 1973, in Lorena, São Paulo, Brazil. Currently, he lives and works in Rio de Janeiro, Brazil. He has worked in partnership with brands such as Ray-Ban (Milan), Northwell Health Hospital (New York), Nescafé (Frankfurt), The Healist (London, New York), Blue Note (São Paulo). Participated in exhibitions at MuBE - Brazilian Sculpture Museum (São Paulo), European Institute of Design (São Paulo), Escola de Artes Visuais do Parque Lage (Rio de Janeiro), Centro Cultural Justiça Federal (Rio de Janeiro), Museu de Imagens do Inconsciente (Rio de Janeiro), Galeria Pretos Novos de Arte Contemporânea (Rio de Janeiro), Galeria Colecionador Contemporâneo (Rio de Janeiro), Museu Nacional dos Correios (Brasília), Galerie Espace L (Geneva, Switzerland), Boxpark (London) between others.
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Artist featured by Saatchi Art in a collection
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