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"Origin Cycle Triptych" Artwork

Sarah Pigion, United States

Mixed Media, Acrylic on Wood

76 W x 24 H in

Ready to Hang

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic, china marker, charcoal from the San Bernardino mountains El Dorado fire (2020), desert plains grass, and raw desert rose selenite on wood panel w. 1.5" cradle. Each panel is 24 x 24 and mounted with picture wire. Out of the ash, a new life is emerging. Within a single cell holds the poten...

Year Created:

2022

Subject:
Mediums:

Multi-paneled Mixed Media, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

76 W x 24 H x 1.5 D in

Number of Panels:

3

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

My ongoing body of work stems from observations of our internal and external environment, and explorations of embodiment and energy process. The result seeks to remind us of our origin as a product of the natural world, of beginnings as a single cell, and to expand our awareness of ever evolving cycles, both innate and conscious. One day while gardening, I was trimming a vine that notoriously crowds many of the other plants. Its fine, sprawling, many-branched backbone stopped me cold, and I stared with great wonder. The form and patterns matched the delicately complex bodies of the neurons I had been pouring over in many books during my studies of neuroscience and physiology. A creative impulse charged through me, and without really understanding what I was doing, I began creating something from these vines and weeds, which I now saw as neurons scattered about my yard. From there came the development of my own symbolic language of various plants and minerals as cellular structures. The structural similarity is where it all started. However, a larger metaphor emerged as I worked through the selection of materials and the process of composition. There was a story that told of life cycles: of birth and death, growth and decay; of joy and loss, injury and healing. All of these things were in process. I saw pieces of my own story reflected back. I felt the movement. I witnessed the transformation. I now feel more like a translator of the work than a creator of it. My Sound Meditation practice has woven its way into my creative process, which I feel allows me to open into a more visionary space. I invite the viewer to find their own meaningful connection through this work, and explore the relationship between our internal and external worlds.

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Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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