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"The Dream" Artwork

Fleur Spolidor

United States

Mixed Media, Digital on Paper

Size: 18 W x 24 H x 0.1 D in

This artwork is not for sale.
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About The Artwork

This digital work was made in Amsterdam NL, during the shelter in place. As we don't know yet how our summer will be, I dream of a peaceful beach. The architecture of the house is inspired by the Canal houses in Amsterdam. In the Netherlands, the Dutch supported the vital workers by placing hearts in their windows. The also had teddy bears on display to amuse the kids during their afternoon walks in the neighborhoods

Details & Dimensions

Mixed Media:Digital on Paper

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Fleur Spolidor is a french artist born in Paris who lived in Zurich and San Francisco and recently moved to Amsterdam. Daughter of a metallurgist engineer and a Freudian psychotherapist, she enjoys reading nonsense literature and adventure novels. She earned a M.F.A degree in Art History from a french University and subsequently taught Art History and Fine Art at the same university and in private Schools of Design. In 2004 she moved to California and started a successful business, teaching art classes in french to kids and adults. Spolidor has a knack for learning new art techniques: from stained glass to virtual reality painting. While playing with different techniques, she pushes her work towards contemporary issues like the never ending need to protect women’s rights and the accelerating global warming. Her main body of work called “Alice”, depicts the different characters of Lewis Carroll’s book in modern San Francisco with a vintage flair. She paints them over layers of found materials like plastic, fabric, metal, paper in an effort to recycle and reuse instead of discarding. In her other series called “Paris Flood” Spolidor mixes images of a century ago with photos found in the news. She mixes traditional and modern, digital and analog to try to reconnect the spectator with the scene he’s looking at. When we look at an old photograph, time gives a romantic patina to the event, we forget the suffering to only see the surrealism of the scene. When Spolidor superimposes old and new images, the catastrophes take another dimension. The past becomes a witness of our limited memory and our inability to plan for long term future. Superimposition works as a revealer. As we look through the membranes of the image, we go back to the essential. Spolidor’s figurative work drifts between nonsense and satyre, between past and present, to reflect on mankind’s short memory and the recurring mistakes we keep on making.

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