VIEW IN MY ROOM
Switzerland
Mixed Media, Digital Painting on Other
Size: 39.4 W x 39.4 H x 1.6 D in
Ships in a Crate
22 Digital Images in Layertechnique, Photoshop. Limited FineArt Edition (5 copies only) HQ-Print on 390 gr./m2 - Canvas - wooden chasis. (100 cm x 100 cm x 4 cm)
Original Created:2012
Subjects:Motor
Materials:Other
Styles:Abstract Expressionism
Mediums:Digital PaintingComputer Art
Mixed Media:Digital Painting on Other
Artist Produced Limited Edition of:1
Size:39.4 W x 39.4 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Switzerland.
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Switzerland
About my art : 'DIGITALLAND' I work on projects with visual artistic alienation by digital techniques and 3D computer programs. My cycle "Digital Country" shows image processing, which proceed from nature photographs. There are motives, as we encounter them often, but we pay little attention. Small changes can suddenly change our perception greatly. They seem alien and yet strangely attractive. I change the photos to encourage and deepen their essence and aura. With my pictures I want to surprise perception, heighten curiosity and entice the senses in the nature of the fantasy world. 'MUSUMPIECES' (Renderings) ... 'The first step is digital'. The context for my 'foundlings' and 'Museum Pieces' are always the lattice models in a three-dimensional space. Only the full 'digital ' range od the 3D-Computerrogramm allows me to combine with positive forms of negative forms. The Analog and thus the classical part of the process is to be applied by means of images on the 'pieces' in the use of textures. (taken by Camera out in the Nature) Light sources in different positions, shapes and colors contribute to the dynamics and plasticity. The circle closes, as soon as the finished work finds its way from the virtual world to the physically existing canvas. The main input for my work I get from nature. It could therefore meteorites, organic creatures or giant bacteria (...), sculptures made of cast iron, stone, brass or bronze, cavities of a casting process, deposits of limestone, sediments from the deep sea or cultic ritual accessories from the past or the future? Or simply colored fittings that stimulate the eye to to their own imagination to follow again more ... ? The series 'replicators' deliberately focuses on representational confusion. Usually there are sculptures made of heavy material or hardware remain the rigid spiral in shape. All works are printed with light fast inks on high quality canvas.
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