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016Titled#011 Painting

Mary Cinque

Italy

Painting, Acrylic on Paper

Size: 13 W x 13 H x 0.4 D in

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

I adore walking in cities. Preferring less central areas, I like to follow the course of a street and then stop and gaze when a particular view catches my eye – most of the time it’s a string of façades that hits me and compels me to stop and take a photo, filling the frame with walls, windows, roofs, and a more or less small portion of sky. These photos are printed and saved in a leather suitcase that I once received as a gift, to be periodically taken out and viewed once again, and to choose which one will become a painting. There are periods in which the buildings occupy the whole painting, phases in which the shadows disappear, reducing everything to an unreal pattern, paintings in which appear constructions in perspective, or where the sky dominates (until now infrequent), but all these works have in common the physical experience of the landscape portrayed. I recognize many points in common between my work (my method?) and the reflections of the “land artists” – or “earth artists”, as some prefer to call themselves – and this is the reason why I’m rereading for the umpteenth time the book “Walkscapes. Camminare come pratica estetica” [Walkscapes. Walking as an esthetic practice], in which the author, Francesco Careri, commenting on Smithson’s 1966 exhibition at the Dawn Gallery, writes: “Is the work of art, then, the act of having realized this journey? Or does the work of art consist of having lead others along the Passaic River? Is the work of art within the photos on display in the gallery or is it in the photos that visitors have taken? The answer is that the work of art consists of all of these things together.” I’ve always maintained that by looking at my works the viewer completes them, and recently I’ve perceived that my works on the city are an (intimate) invitation to look at other things in the city, to observe, for example

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:13 W x 13 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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