VIEW IN MY ROOM
United States
Painting, Acrylic on Canvas
Size: 36 W x 48 H x 1.5 D in
Artist Recognition
Artist featured in a collection
A Sign of some kind: I don't know how to be regular. I knew this life came with sacrifice. That was explained to me early on. But it really wasn't real. I didn't really understand what that meant. Now I feel it. There's no denying who you are, no running from it really. I'm grateful and heart sick to the core by what it entails. So it's a gift. To feel and react with an intensity that won't subside. It's a necessity, to open ways to worlds no one else would ever see, but burns too intensely to pretend it is something that will ever allow a "normal' life, no matter how badly I wish I could have that. Still want it. I'm grateful for the time and experiences. I miss them. Crave them. Wish my future held a normalcy that I can see all around me. I'm honestly confused as to why it's so out of reach. Why this eludes me. But here we are. We walk the roads we are on. It's hard to accept. God, there are thousands of unspoken words I'll never say. I suppose pain is the cost of this. The trade off for whatever I'm bringing into this world. Ill never really know if it was worth it. When I think about what it cost, the loss that accompanies it, I can only say "I wish" so many times. The thing is, once you look through these windows, the memories are with you forever. Good luck to you both. See you when you're dreaming.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:36 W x 48 H x 1.5 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United States
American artist, from the mid 1970s. ------ABOUT THE WORK ----- So much in the present day has been photographically catalogued and documented incessantly, that the level of saturation of representation is greater and more instantaneous than at any point ever in human history. ///////// This has many positive benefits but for the work I'm making it requires that I tune this out, close down that "feed" of immediately accessible mechanical rendering and instead, in a psychically quieter method, turn inward in partnership with chance and chaos, to bring into being, imagery that doesn't aesthetically describe any reality that is readily named or so easily accessible. ///////// I am not relying on observation of the external world but working to contribute to it; bringing views and images that are only accessible perhaps to the subconscious, into consciousness. ////////// Whatever forms and vistas arrive, they have a familiar and repeating arrangement of formal elements that I'm beginning to recognize. They seem to adhere to a set of rules that is uniquely their own; one that I'm still working to document and one day more fully understand. ////////// To get there I get out of the way of the work and wait for it to arrive and guide me, letting it reveal in itself, worlds and moments that I'd never have access to through base observation of our overly and instantly documented shared reality. ////////// I can tell you, there is a very distinct sensation when the work takes over and the "ride" begins. I'm reminded of descriptions of VodĂșn ceremonies where what those practitioners refer to as the Loa are sought and summoned, and the participants are "ridden" by the spirits. ////////// It's hard to put into words without making the process seem unnecessarily dramatic and mystic but it's a very distinct sensation that, more often than not when I'm working while listening to music, makes painting indistinguishable from dancing. ------David Senecal 2017
Artist featured by Saatchi Art in a collection
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