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A Spirit Comes
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A Spirit Comes Painting

Roger Williamson

United States

Painting, Oil on Canvas

Size: 12 W x 12 H x 2 D in

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About The Artwork

Modern symbolic painting, oil on canvas, 12 inches by 12 inches, 2010, Featured in MIA Foot in the Door 2010 and in my short movie Invitation to the Quest Spirit Spirits manifest into our realm through multiple vehicles, images seen in clouds, undergrowth, incense smoke and the artists canvas. There is an example of this phenomena in Lore of Prosperine by Maurice Hewlett chapter A Boy in the Wood. The following is an extract A Boy in the Wood I must have been looking at him for some time before I made out that he was there. So you may peer into a thicket a hundred times and see nothing, and then a trick of the light or a flutter of the mood and you see creatures where you had been sure was nothing. As children will, I had stayed longer than I need, looking and wondering into the wood, not observing but yet absorbing the effects of the lights and shades. The trees were sapling chestnuts if I am not mistaken, Spanish chestnuts, and used for hop-poles in those parts. Their leaves decay gradually, the fleshy part, so to speak, dropping away from the articulation till at last bleached skeleton leaves remain and flicker at every sigh of the wind. The ground was densely carpeted with other leaves in the same state, or about to become so. The silver grey was cross-hatched by the purple lines of the serried stems, and as the view receded this dipped into blue and there lost itself. It was very quiet—a windless fall of the light. To-day I should find it most beautiful; and even then, I suspect, I felt its beauty without knowing it to be so. Looking into it all without realising it, I presently and gradually did realise something else: a shape, a creature, a thing of form and pressure—not a wraith, not, I am quite certain, a trick of the senses.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 12 H x 2 D in

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Roger Williamson is a visual artist, residing and creating in Minneapolis Minnesota. Born in Loughborough, England, in 1947 and growing up in Coventry he was inspired from an early age by the French Symbolist painters of late nineteenth century France, These artistic influences, in conjunction with his own esoteric upbringing and practical experiences of magick, mythology and dream control, form the matrix, a collective oeuvre upon which his paintings and writings are an extension. Using diverse creative media, whether painting or writing books, Williamson endeavors to develop techniques that materialize the sensuous dreaming experience into the language of the waking world. Aspiring to reintroduce mystery and ambiguity back into the adventure of human existence through the creative process, encouraging artistic audiences towards "living effulgent and invigorating lives, revitalized from the secretions of our subconscious." Roger Williamson is the creator of Tarot of the Morning Star deck and the author of The Sun at Night. Statement Art is an externalization of struggle to rationalize and give form to something not understood. The artist, like the oyster, is driven to externalize this conflict into the image of a pearl. I believe art should be appreciated through a viewer's individual intercourse with the work, allowing the image to speak for itself and not be prejudged by societies academic paradigms. This concept has close parallels to techniques first acquired in childhood, such as the ability to stare at clouds and see recognizable images arise and fall in the mind’s eye out of what initially was perceived as chaos. Through this technique, letting a work speak to a deeper self than the superficial mind involves the viewer in the creative process, their imagination evolves the artwork to another level. The work is no longer stationary but part of a wave as is nature herself.

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