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Francesco Alpigiano


Painting, Enamel on Canvas

Size: 31.5 W x 31.5 H x 0.1 D in

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About The Artwork

ALPHABET FULLCOLOR A crowded ensemble, a rational representation of conventional icons overlapping in an infinite myriad of flashy hues. Universal symbols of language whose external appearance is evoked with a logical and deductive method. With the succession of letters, the conventional signs of the alphabet take on a fixed progressive order whose rhythmic scanning is determined by the chromatic contrast. The "ALPHABET Fullcolor" series is composed, through the orderly and continuous succession of elements of the same kind, of works made with water-based enamels, which greatly accentuate the brilliance of the colors, on pictorial canvas with a thick frame. Data sheet: Title: ALPHABET Fullcolor 03 Technique: Water enamel on pictorial canvas with high thickness frame. Dimensions: 80 x 80 x 3.5 cm Year: 2021 ALPHABET FULLCOLOR Un insieme affollato, una rappresentazione razionale di icone convenzionali si sovrappongono in una miriade infinita di tonalità appariscenti. Simboli universali del linguaggio la cui apparenza esteriore viene evocata con metodo logico e deduttivo. Con il susseguirsi delle lettere, i segni convenzionali dell’alphabet assumono un ordine progressivo fisso la cui scansione ritmica è determinata dal contrasto cromatico. La serie “ALPHABET Fullcolor” è composta, attraverso il succedersi ordinato e continuo di elementi dello stesso genere, da opere realizzate con smalti all’acqua, che accentuano notevolmente la brillantezza dei colori, su tela pittorica con telaio ad alto spessore. Scheda tecnica: Titolo: ALPHABET Fullcolor 03 Tecnica: Smalto all’acqua su tela pittorica con telaio ad alto spessore. Dimensioni: cm 80 x 80 x 3,5 Anno: 2021

Details & Dimensions

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.1 D in

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He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.

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