




Painting, Acrylic on Other
13.8 W x 15.7 H in
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
“About Tsmok,” the 8th painting in the 13-piece series “Belarusian Folk Rituals and Beliefs” Acrylic matte, PVC, brush. In Belarusian folk tradition, Christian and ancient pagan beliefs intertwined and merged into a harmonious whole, creating the unique character of Belarusian folklore. Through th...
Year Created:
2019
Subject:
Styles:
Mediums:
Painting, Acrylic on Other
Rarity:
One-of-a-kind Artwork
Size:
13.8 W x 15.7 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Serbia.
Customs:
Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Fairy-tale Artist.
By exploring ethnography and mythology, I form patterns of the ethnos. Drawing on the ancient wisdom of folk tales and contemporary scientific research in psychology, sociology, and philosophy, I seek mythological metaphors that reflect the relationship between humans and their environment. In their unity and opposition, I see both immense potential and limiting factors for the development of an individual.
Speaking on behalf of the archaic feminine divine entity — Yaga-Roga, I search for sacred meanings in ordinary things and everyday life. I personally walk the paths of my characters, embrace them, and change alongside them.
My artistic universe exists within the field of relational aesthetics. I work in acrylic painting, enhanced with elements of mixed media. By combining techniques of grisaille and polychrome, abstraction and figurativism, image and text, I create my own individual language. Performance, installation, and happening help me establish personal contact with the viewer, receive immediate feedback, and make them a co-participant in the creative process.
In this way, I create my own myth, and by immersing themselves in it, the viewer can uncover the ancient wisdom of their ancestors and find ways to navigate the complex situations of the modern world.
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