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Adagio

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Adagio Painting

Lydia Lee

South Korea

Painting, Oil on Canvas

Size: 50 W x 42.7 H x 1.1 D in

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SOLD
Originally listed for $2,570Request Commission
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Korea is now approaching spring. Walk and listen to music as usual. I was listening to Albinoni 's Adagio playing on cello on the side of tree lined streets fallen leaves are full of trees. For some reason, I noticed the leaves that had fallen a long time ago than the new leaves. And new leaves began to appear on the trees. I looked like the tree was forcing the leaf. I thought at that moment. I recalled the conflict between the idea that a small leaf seemed to be forced and my consciousness and choices in my life. I wanted to try expressing these feelings that very strange Melancholy. I usually portray a scene remembered with my personal feelings through color. Color gives an idea to directing the memorized scene and embodies some special feeling. As I drew this painting, I began to forget little by little the dark statues of the leaves I saw on the road in the morning. I use the finest oils and paints.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:50 W x 42.7 H x 1.1 D in

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Born in Seoul in 1979, I have been working in Korea ever since. I enjoy the values ​​of expressionism from a standpoint opposite to reductionism. In my paintings, many aspects of existence are expressed in color and filled with their own translations. A world where order and chaos are intertwined. I make this world a landscape. My paintings do not simply convey a scene, but offer them a ritual in a certain vortex. ‘I have been interested in the dynamic expression methods of classical music and baroque, and recently I have been working on the predetermination or delimiting of a certain flow based on one's own pure decision. When I hear music, certain scenes and stories come to mind, and these are all human emotions that cannot be expressed in words. Sometimes sad, happy, and painful emotions become the subject of painting. However, I am not interested in arranging those emotions, I only want to show the combination and order of the form. When I paint, I try to create as many complex compositions as I can as best as I can by throwing colors around. What comes to mind at that time is very specific, such as the bridges and roads I saw in the city, the color of the roof, and the shape of the buildings. When I make such a complicated composition with colors, the colors start to move and start to get on the rhythm. I follow those moments and continue composing as if I was creating a chord using the most pleasing state possible.’

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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