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African't Painting

O Yemi Tubi

United Kingdom

Painting, Oil on Canvas

Size: 44 W x 56 H x 1 D in

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$15,750

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711 Views
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About The Artwork

African’t: (Africans can’t say `no’ to Exploitation) Africa is the second largest continent and the richest in the world in natural resources. Despite her riches, her people are the most abused and misused people in the world. They were the subject of slavery and after the abolition of slave trade, Europeans continued to enslave Africans. They colonised most of the continent, oppressing and killing Africans while looting their natural wealth. African nations are yet to be completely free; their economy and government are being controlled by their former colonial masters. In recent years, China joined the United States and the Europeans in further exploitation of Africans. Chinese are now taking over African businesses and markets; flooding African markets with their cheap products making it difficult for locally produced African products to compete with cheap Chinese imports. Many corrupt African leaders aid wanton exploitation of African mineral resources for selfish personal gains, receiving also kickbacks to award highly over-priced infrastructure development project contracts to Chinese and European companies. Chinese companies often bring in all categories of workers from China to work on African construction projects while well qualified Africans including overseas trained professionals remain unemployed; it is literally taking food out of the mouth of Africans. Why can’t African say `no’ to exploitation? The dark cloud in the background on the right side of this painting is to show the terrible situation of African nations; the ray of light breaking through the dark cloud and new plant shoots piercing through the cracks of dry ground are to depict the hope and aspiration of the artist - O Yemi Tubi for African nations - better and richer future. In the centre of the painting, O Yemi painted a starving African child with priceless jewellery on her neck and variety of foods served on luxurious golden bowls and plates in front of her. This also is to depict the paradoxical poverty and the riches of the continent of Africa. Engulfing the luxurious varieties of food are rats in coats of national flags of USA, Britain, France and China. This is to say that the relationship of these nations with African nations is contributing to their poverty. Rat as imagery of these nations is not intended to offend but O. Yemi couldn’t find any complementary image that could be used without losing the message he intended to convey. This painting is also an Indictment of some corrupt African leaders The dawn of new day; better and bright day for Africans will come the sooner the Africans can say `no’ to EXPLOITATIONS and African leaders put national interest above self-interest.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:44 W x 56 H x 1 D in

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O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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