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This piece was inspired by traditional African art and is intentionally spare, intended to affect the viewer via calming earth-tones. Photos fall short in conveying the texture of the surface. The paints are a mix of flat to rich metallics, which shift in hue as the viewer moves past the painting and the angle of the light changes.  The piece is un-stretched canvas so it can be shipped in a tube. I have it hung with black bead-head straight pins. I think the composition works vertically or horizontally.
This piece was inspired by traditional African art and is intentionally spare, intended to affect the viewer via calming earth-tones. Photos fall short in conveying the texture of the surface. The paints are a mix of flat to rich metallics, which shift in hue as the viewer moves past the painting and the angle of the light changes.  The piece is un-stretched canvas so it can be shipped in a tube. I have it hung with black bead-head straight pins. I think the composition works vertically or horizontally.
metallic copper, brass and gold, w flat beiges create high-contrast Autumn browns on mixed texture black background
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Ancestors With Us Painting

Michele Burns

United States

Painting, Acrylic on Canvas

Size: 61 W x 18 H x 0.2 D in

Ships in a Tube

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SOLD
Originally listed for $1,300
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About The Artwork

This piece was inspired by traditional African art and is intentionally spare, intended to affect the viewer via calming earth-tones. Photos fall short in conveying the texture of the surface. The paints are a mix of flat to rich metallics, which shift in hue as the viewer moves past the painting and the angle of the light changes. The piece is un-stretched canvas so it can be shipped in a tube. I have it hung with black bead-head straight pins. I think the composition works vertically or horizontally.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:61 W x 18 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.

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