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Arabesque 8 Painting

Diane George

United Kingdom

Painting, Acrylic on Paper

Size: 16.3 W x 20.3 H x 0.2 D in

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About The Artwork

Painting inspired by Ottoman illumination and Islamic art. The painting is gilded with genuine gold leaf and features areas of raised gilding. The use of gold is symbolic of the divine light and the Word of God. It also reminds us of the life-giving light of the Sun. The shapes within this painting are highly abstract flower and leaf forms. The intertwining abundance of the floral motifs, combined with the gold and green, remind us of the profusion of new Spring growth and the promise of Summer. The square form of the painting is traditionally associated with the Earth. The geometry underlying this painting is a series of nested squares, recalling the four fold nature of the physical world, for example, the four cardinal directions, the solstices and equinoxes. The painted and gilded area measures 230 x 230 mm. The painting is framed, using two mats/ mounts. The width of the first mount is 60/ 60/ 60/ 70 mm and the second mount measures 70/ 70/ 70/ 80 mm. The frame is white wood and the moulding is flat measuring 17mm wide and 32 mm high. Overall the frame measures 533 mmx 431mm.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:16.3 W x 20.3 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Anerley, Penge, UK in the year of the Rooster. All the rest of my family are Snakes.... :-) I've loved art all my life - I'm a compulsive doodler. I hope that I have now, through my artworks, taken doodling to a whole new level ;-) The main inspiration for my work is early Celtic. One day, many moons ago (more than I care to admit to), I saw a reproduction of a page from the Lindisfarne Gospels. I thought: "Wow! How do you do that?". So I set about trying to find out. Doodling alone can only take you so far. There comes a time when you have to seek out those who know more than you, and this led me to The Prince's School of Traditional Arts in London. I did look at all the usual art colleges, but we weren't really singing from the same hymn sheet, shall we say. At the PSTA I met many wonderful, unique, learned and inspiring people - such as Prof Emeritus Keith Critchlow, Dr Martin Lings, Dr Nassar Mansour, Aidan Hart and many others. Through their teachings and example, I gained new understanding of art, life, the universe and everything ;-) So I now probably fit in with standard art colleges even less than before. Is that good or bad? My paintings are entirely hand made and are executed mostly in egg tempera, acrylic and gold leaf on paper, calfskin vellum, glass or gesso panel. I make my own quills and egg tempera paint, regularly raiding local Welsh beaches for shells to use as paint palettes (they work well and they're free - what more can I say?). I do not, however, grow my own cows or make my own vellum (very yukky process). I am very happy to let someone else do that bit. Each painting can take up to four weeks to complete. Most of that time is spent on drawing out the design, using a set of Victorian compasses, a sharp pencil, a ruler and lots of tracing paper. I live in Burry Port, South West Wales with Himself and our large, dribbly dog.

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