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https://leandroantoli.com/portfolio-item/arrancadas/ This work belongs to my series "Arrancadas" and is based on detaching the paint from the walls of old houses with history and tradition. First I search for old houses that have "history" and some are abandoned, in ruins and have walls with many layers of paint. I select walls that I like and they seem appropriate and then I make some graphic tracings on the wall and then I begin the process of detaching the wall and passing it to a canvas that I have prepared with paint and glue suitable to carry out the process. I am interested in transferring plastic elements through time, that are translated into a plastic and graphic story. I use an old technique that comes from the restoration of murals using tempera and acrylic on cotton canvas. The work is signed from the back and I give a certificate of authenticity.
Painting:Acrylic on Canvas
Size:70.9 W x 15.7 H x 0.8 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
https://leandroantoli.com/videos/ Something came out from my inside, something uncontainable, a volcano smoke that came from within and nothing could stop it, nothing restrained it. The work needed to exist. My insights, my intuitions, "the light I see shining through in a dense forest" need to be represented, be shown in colors, shapes, textures, images or words. I don’t make it happen, it just happens. In order to carry out my work I pull off the remains of the material gathered through time from our land onto the walls , the walls that have sheltered the human beings who had formed this land and the drawings that children have been scrawling for centuries on these walls. I extract the paint and the scratches from the walls. I superimpose my own drawings on it as engravings or incisive forms and pull it all up like a restorer would do if he wanted to transfer a mural painting to a canvas. Other times these drawings/archetypes are made in watercolors, acrylics or any kind of pigments on top of papers or fabrics where I put the images that arise in my mind, developing them later, resulting in the conversion of my thoughts into paintings.
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